Live at Bronxlandia, Thursday Night Love, July 24th 

I’m excited to be a featured artist at Thursday Night Love, July 24th at Bronxlandia, 910 Hunts Point Ave. 

I’ll perform a 30 min set of songs from my latest release We Have Been Change a gut-check for Millennials at mid-life, and an invitation for intergenerational conversation about where we go from here.

With passionate vocals, Bori-Ritmo grooves, Bronx-Love, and lyrics that make you wanna listen close, I will offer Hiphop from the heart that respects your intelligence. I hope you get lifted, and we get to talk after the show.

The event runs from 6-10pm. I think my set will be sometime in the middle of that. Let me know if you might be going, and I’ll get back to you when I’ve got more details.

¡Yo soy de la Guagua!

Contigo,

Marcos

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Why Don't Economists Talk About Love? Recognizing the Power of Envelopes of Care 

What is creativity? What is productivity? What is really “generative”?

 Why don't economists talk about love?

Initiatives of Creatives Rebuild New York gave me the opportunity to delve into these questions as an artist and an idea-smith. 

It seems to me that truly generative spaces are envelopes of care.

______________________________________________________________________________________________________________________

Recognizing Creative Productivity 

in

Envelopes of Care

backed by

Universal Basic Guarantees

by Marcos de Jesús “de la Guagua”

Preamble

Creative economy occurs in reciprocal Envelopes of Care:

  • A burden is accepted, “I/we care about this.”
  • Energy is spent, “I/we will care for this.”
  • The expenditure creates a debt. 
  • Indebtedness is honored.
  • Energy is spent to pay back debt and invested to pay forward. 
  • Life is created, extended and supported.

            The cycle repeats.

This could describe any healthy relationship. Why should a healthy political-economy be any different? A creative economy produces, supports and extends life, not just profit/loss and production/consumption as disassociated from life. 

Envelope of Care could describe the gestation of a pregnancy, the family supporting a child, the social network supporting a family across generations. Or it could describe Social Security and Medicare, or Universal Basic Income and community based guaranteed employment (Job Guarantee). These are Envelopes of Care (EOCs) backed by Universal Basic Guarantees (UBGs).

The most creative/constructive Envelopes of Care (EOCs) are:

-Universal

-Guaranteed

-Not profit dependent.

-Attendant to need.

The basic standards set by these universal guarantees form the baseline for other social expenditure. Competing ventures must meet or exceed these standards. This may be recognized in societies from small to large, across history, and even in nature.

If We guaranteed a basic level of full employment of culture-bearers and art-work, art economies could be economies of abundance, not scarcity.

Who are the "We" here? It is easiest if done by a currency issuing government on behalf of "We, the People".

Vision

  • We the Co-Creators/Job Creators/World Makers enact/observe:
  • Creative economy developing Envelopes of Care.
  • A creative, caring economy backed by Universal Basic Guarantees.
  • Multiple EOCs creating diversity of spaces to care for what communities care about.

World View Re-framing: 

Recognizing Envelopes of Care all around us

  • Care-work creates our world.
    • From forests to families care-work is the co-creation of our world. 
    • Caring is:
      • resource sharing, nurturing, burden-sharing, protecting, educating, etc.

Our World is Mostly Co-operative: The universe as an EOC.

EOCs contain and channel competitive energies constructively, like an electrical circuit. Competition is the junior partner to co-operation, only constructive when contained within limits.

In Natural systems—

-even prey/predator—co-evolve. 

-Many species are allied. 

-Competition is never win/lose, unless the ecosystem is collapsing.

Competition is a thread, not the fabric of society.

  • Competition is either zero-sum or net negative on a system level.
  • Competition contours our world when properly contained.

Systems Centering Competition are Destructive

  • Capitalism and Extreme Poverty (since ca. 1492)
    • Black hole political economy, empire-driven.

Imagine All Work as Care Work

  • Are we caring for what we care about?
    • Capitalism: Public entitlements caring for maximum shareholder profit.
    • Democracy: Building a political economy of caring for what we care about: EOCs backed by UBGs.

Public Policy: 

Multiple Universal Basic Guarantees (UBGs)

  • Better Together
    • Universal: Solidarity politics, everyone qualifies and benefits.
    • Basic: Creates basic standards which markets must meet or exceed.
    • Guarantee: Creates effective demand in the economy (e.g., Medicare).

Jobs and Income

  • Worker/Oppressed people movements demand both jobs and freedom.

Basic Income

  • Guaranteed Income is essential to universal freedom.
    • Basic income of about $1000/mo as the basis for self-care, personal choices, privacy.
    • BIG to honor self-care/other work currently not being paid, rather than to disconnect work from income.

Universal Basic Employment Guarantee

  • Our work transforms our world.
    • A job guarantee that integrates lessons from CRNY-GIA and AEP, WPA, etc.
    • Administration focused on support rather than gatekeeping.
    • Administration supports team building, connection fostering, meaning making.
    • Communities defining what work should be supported as a job.
    • Creatives supported to reach communities their work could care for.
    • Entrepreneurs similarly supported, but profit maximizing isn’t the only, or best model.

False Narrative: Tech will make human work unnecessary.

  • Reality: Tech can never make work unnecessary.
    • Tech becomes part of the environment.
    • Human work is what changes the environment.

False Narrative: Someday soon there will be no work to be done.

  • Reality: Cool story, but…
    • There’s a ton of work to be done right now.
    • Government can employ people directly to do the work that needs doing.
    • Markets will follow government creation of effective demand. There will be opportunities for profit on the margins. That’s cool.

False Narrative: But first we have to find the money.

  • Reality: We are so money, and we don’t even know it.
    • People make money. We co-create it as we co-create our world.
  • People make money in three ways:
    • Social Currency          A story about who owes what to whom (EOCs).
    • Social Finance             A ledger of credits and debits.
    • Government Money    A ledger of credits and debits created, adjusted and enforced by a governing authority. The authority can grow the ledger, delegate the use of its credits or destroy credits.

-What! But I thought money came from barter and then gold!- 

-Cool story! But the historic evidence says money comes from law and government.-

 

False History: Markets > Money > Government/Law

Real History/Current reality: Law/Government > Money > Markets.

  • Since ancient Mesopotamia. Ask a historian, not an “Orthodox Economist.”
  • We always need agreements before we can invest, credit, debit, harvest, etc.
  • Demand for a currency is backed by an authority taxing people in that currency.
  • Then the government can spend by issuing currency.
  • If the government currency issuing government spends more than it taxes, than currency users can create a market.

False Narrative: We the People are smaller than “the market.”

Reality: Capitalism is largely a set of government programs to maximize private profit, backed by geopolitical power and international law, an EOC for profit.

  • We don’t rely on markets to create jobs—think of military spending.
  • We can use our government for better things.
  • Markets will follow. They can’t lead. The profit motive limits their agency. That’s why capitalists struggle to control governments.

False Narrative: Basic Income is the only solution we need.

  • Reality: Basic Income Guarantee is good, and way better than:
    • Means-tested programs.
    • People living on cash only.
    • "Worthy-ness" tested, intrusive programs.
  • Strengths of Basic Income:
    • Adding capacity for personal problem solving.
    • Keeping government from controlling aspects of personal lives.
    • Less intrusive than limited-use spending (e.g., SNAP, health savings accounts).
  • Risks of Basic Income:
    • Basic income needs to be supported by guaranteed resources, or else it may lead to inflation.
    • Working class power connects our work to it’s impact in the world. Basic income should be coupled with worker organizing/class consciousness, or else it could weaken the working class.
    • Inflation and weakening the working class can lead to right wing backlash.
  • Sustainably resourcing Basic Income requires:
    • An ongoing movement, EOCs around everyone’s worthiness for BI. 
    • Resources be created so recipients can buy what they want. (e.g., If people are spending on rent, build affordable housing.)
    • If resources are not created to support spending (by the government, if the market won’t), any spending can lead to inflation, which nobody likes. Let’s not build the backlash, y’all.

How? 

Theoretical Toolkit:

Modern Money Theory (MMT)

  • An alternative economic framework that shows what's possible and how to avoid inflation as formalized by subject experts since the 1990s (not my observations).
    • The currency is a simple public monopoly. (Mosler)
    • The dollar is a government program, a public utility that capitalism uses.
    • Only a currency issuer creates net financial resources. Capitalists only redistribute government money. Currency issuing governments do not redistribute capitalist’s money. Capitalists cannot create net dollars.
    • The U.S. Government cannot run out of dollars.
    • We don’t need to "find the money." We need to find or create the resources needed to solve problems.
    • Taxation creates effective demand for the dollar. Taxation does not fund federal spending.
    • U.S. Government spending is always funded by creating new dollars (mostly reserve balances on government spreadsheets).
    • Inflation can be avoided by matching resources to spending. Tax the rich to reduce their consumption of resources, not because we need their money.
    • Prices ranges can be set by "buffer-stock" systems (Universal Basic Guarantees).
    • The term "Modern" was originally used ironically (Wray). All this has been true for currency-issuing governments as far back as we have records of money (ca. 6,000 years).
    • All this can be true for any country that can achieve sovereignty over its currency, energy, and food needs (Kaboub). People could travel for fun, not migrate out of desperation.

 

Meet Me in the Bronx, BX-ology cabaret at the Boogie Down Grind 

It's a cabaret style storytelling tour of three generations of family legends. It's a Bronx tour de la Guagua, powered by imagination and cariño. It's my first solo show in a decade. I will perform songs powered by Bori-Ritmo, bridging Hiphop and Gospel, plus original poetry and fiction, all about the Bronx.

Find yourself uptown. Meet me in the Bronx

Buy advance tickets to help us plan. Pay what you wish, plus fees, cheaper in advance.

Show at 7pm.

Come at 6pm for happy hour, stay after for more Bronx-versation.

Meet the venue BoogieDownGrind.com , BoogieDownGrind.com/menu

This project is supported by funding from NY State and the City of NY, through the Bronx Council on the Arts.

Making "Let's Make Christmas" 

Demo recordings can be a proof of concept.

         Let’s Make Christmas picks up in the middle of a story. Maybe it’s part of a larger musical. Maybe it just captures a moment. Early Études, vol 8: Christmas Musical Workshop features two sketches of the song.

The version with one voice, and Horace Beasley on the piano, gives an idea of the accompaniment.

The duet version, “Let’s Make Christmas” is an authentic demonstration of the values behind the song: cariño, rich cultural context, vocal lyricism of family singing together.

It was me and my cousin Cindy at a piano on the sidelines of a family Thanksgiving. It demonstrates what the song’s about: making it work. We only had a few minutes while Cindy’s three daughters were otherwise entertained, to study and capture the song.

Straight Outta the Rec’ Room: Hiphop 8/11, Affordable Housing, Cultural Space 

Happy 8/11!

Hip-hop heads revere the founders S. Bronx founders of our movement for “making something out of nothing”. It’s a poetic affirmation of the great barriers that our founders overcame. But literally, nothing comes from nothing. Life comes from life. Culture springs from cultures. Ubuntu: a person becomes a person among people.

            The site most celebrated as “Hiphop’s Birthplace” isn’t nothing; it’s affordable housing, with a rec room. Key resources for the midwifery of Hiphop included:

-Affordable housing, 1520 Sedgewick Ave built and maintained with public subsidies*, home to the Campbell family.

-Cultural space, a rec room, where Clive Campbell/DJ Kool Herc could DJ a party that his sister Cindy Campbell promoted.

            Hiphop isn’t something out of nothing. It’s something out of a rec’ room.

            Do you love Hip-Hop? A good birthday present for Hiphop this year and every year would be more affordable housing and accessible cultural spaces.

#BXology,#Hiphop

*1520 Sedgewick is a Mitchell-Lama building. It's called a “non-subsidy” program, but that's just incomplete accounting. Government policy supported resources for affordable housing are it's origin.

When I Think of Home- Wildness, Grace and Our Freistadt Beyond 

As religious refugees from the King of Prussia, my maternal ancestors named the place they escaped to their “Freistadt” (Free-town). It wasn’t quite a town; it started with a church: Trinity Lutheran Church- Freistadt. 

While living in Puerto Rico, my mom, Carolyn Wille Rivera, wrote an ebullient essay about growing up on a farm where she met God in nature, witnessed the everyday heroism of her parent’s farm-work and the steeple of that Freistadt beyond. When the Orfeo Duo gave me a chance to write something for their "What a Neighborhood!" concert series, I wanted to set passages of my mom's lyrical remembrance. That meant writing a voice part I couldn't sing, and instruments I couldn't play. That meant writing sheet music. 

I didn't know how to do that. When I Think of Home is how I learned.

I imagined how the dramatic outpouring of emotion I feel for my mother’s words and ancestral memories might sound when played out by piano, violin and operatic soprano.

I recorded the whole thing first with my voice, singing both the parts for voice (an octave down) and the instrumental parts wordless as best I could. That recording sounds rough. No one will ever hear it, but my intention was clear. I realized I could do this. I could bring the drama of the page and into carefully planned polyphony. Now I just had to translate it into sheet music that could be played. This was the 2010's. No AI to help. I learned a sheet music software enough to be able to enter one note at a time and then play it back to make sure that's what I intended. I soon realized that I didn't need to listen back to my vocal record, the composition had taken root in my aural imagination. The process took, maybe, 150 hours or so of work.

At the end, I am still only beginning to have any technique in classical comp., but I do have a voice as a composer of music-drama. Thanks to Leanna Hieber, then my foremost interpreter, and the Orfeo Duo for tackling this thorny bouquet of love, emotion and passion. Your virtuoso performances deliver all the beauty and emotion the score intends, while barely hinting how demanding the work is on the performers. If I have the chance to re-write, I'd make it less difficult to perform. And I'd like to go over the score with my mentors Dr. Abe Cáceres and Horace Beasley, to understand how. And to figure out what the heck I was doing here in terms of music theory? I think it's uhm..."a motif driven polyphonic dialectic whose apparent harmonic stability belies a poly-tonality straining between C major, the Phrygian mode and reaching for a G Major 'Freistadt' beyond". However, even though, I think I know what all those words mean separately, no one has ever explained to me what they might mean together.

When I Think of Home has been about growth, time, cultivation, wildness and above all, Grace, reaching toward our Freistadt beyond. Thanks to all who made it happen. Thanks for listening generously to this imperfect recording of a very good performance. Please consider subscribing to support further development.

6 Albums in 3 Months, Now on Bandcamp 

Just under the wire, at about 10pm on March 31st, I reached my creative goal for Jan-March 2023: 6 albums in 3 months! I am grateful. Listen for free at MarcosdelaGuagua.Bandcamp.com with no log in, or build our collection and support the work. Bandcamp is easy for artists and fun for listeners.

Womyn of Color Leaders: Something to Sing About! 

"Me Gusta Pierina” is a song I made to remind my friend of her truth.

We need to do more than clap back attacks on exemplary leaders like on AOC and Ketanji Brown Jackson. We need to sing their their beautiful truths. 

When my friend from church, Pierina Sánchez, announced she was running for NY City Council, I was overjoyed, but I wasn’t sure how I could help. Then came the attacks on her authenticity. That is something a trovadór can tackle. 

I let my pen go to work to remind my friend of her truth, imagining her supportive afri-Dominican tias telling her: 

“¡Negrita linda fuerte y capáz! 

No es justo, 

But you know 

You’ve got to do más, 

Pero nunca olvides de donde vendrás.” 

“Negrita” here means not just “Black woman”, it means “My dear Black woman”. It my means “Beloved”. So it’s like: 

“My beloved, beautiful, strong and capable Black girl! 

It’s not fair, 

But you know, 

You have to got to do more (ie. than others, than you should have to). 

But never forget where you come from.” 

You come from love.

You serve in love.

To love you shall return.

Love centering women of color leaders exemplify these truths.

We need to do more than clap back against false and hateful attacks on AOC, Ketanji Brown Jackson and Pierina Anna Sánchez: We need to sing their their beautiful truths, in love and service.

Sunday 9/12/21, Praying with a Saint of 9/11/2001 

Classes were cancelled as we got word of the attacks, on the morning of 9/11/2001. The head of the dance department assembled students in one studio. The first thing she said was, “You must realize, we are going to war.” 

How might the last twenty years have been different if, instead, the first thing we said had been, 

“Lord take me where you want me to go. 

Let me meet who you want me to meet. 

Tell me what you want me to say, 

And keep me out of your way. 

Amen.” 

-Prayer of Father Mychal Judge OFM, FDNY Chaplain, first recorded casualty at the WTC, 9/11 2001. 

I learned his story from Saint of 9/11.

This Sunday, we remember and we pray at TLC of NYC. Music Director Horace Beasley and I will perform my setting of “Mychal’s Prayer”:

Sunday 9/12/21, 11Am Eastern

Trinity Lutheran Church 

164 W 100th Street in Manhattan 

and 

https://www.facebook.com/TLCofNYC/live 

From Love to Love to Love- 

Yo soy de la Guagua, 

Marcos